This is part of a series of posts summarising key points of different design movements, see A Very Brief Guide To Design Movements – Introduction for more information.
Modernism
A concept that covered a range of movements from Bauhaus to ‘pop culture’, used very freely and not always well defined
1930s to 1970s
Had already been developing in other aspects of culture such as literature and thefine arts with radical challenges to realism e.g. Cubism, T.S.Eliot
Made possible by the development of popular consumerism and mass production
Inspired by the developing new technology, philosophy etc
e.g. the space age and the efficiency of the compact living quarters in space
Aimed to unify with standardisation, ‘cultureless’, timeless, minimalism
Utopian futurism
More international than the previous mainly European-based movements as post-war a lot of the previous designers had emigrated to the US & better communication
Post War limited resources encouraged efficiency
Companies such as Herman Miller inc, IKEA, Knoll, Vitra
Included designers like Verner Panton (living spaces), Le Corbusier (architecture), Mies Van Der Rohe (architecture), Charles Eames, Isamu Noguchi etc
Used new materials, mainly metals and plastics e.g. chrome, plate glass, fibreglass, Bakelite, moulded rubber, expanded foam
CASE STUDY – Charles Eames
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